I’ve transfered the Luini onto my portrait and covered it with the first layer of glaze. We then went in with a white tempura paint and added the highlights.
She’s certainly coming along quite nicely.
And here she is with layer 1:
This is the original Luini that I am recreating on display at the National Gallery of Art. Well, I guess she’s not on display right now but after this shutdown is over, she’ll be on display.